Commissioned by CTM Festival and transmediale for their joint 2016 editions, Still Be Here is a unique collaborative performance that draws us into the multiplying realities of a 21st Century pop star, and traces the dynamics at play between fans, corporations, and social desires.
Since her 2007 launch in Japan, Hatsune Miku (whose name means “first sound of the future”) has become the ultimate pop star, developed from a vocal synthesizer product into a globally adored and collaboratively constructed cyber celebrity with a growing user community, countless stadium performances as a virtual 3D projection, and more than 100,000 songs released worldwide.
Still Be Here presents Hatsune Miku as the crystallization of collective desires, in the form of a teal-haired virtual idol, forever 16. In watching the deconstruction of this perfect star, the audience comes to the uncanny realization that Miku is simply an empty vessel onto which we project our own fantasies. In this void, the topology of desire within a networked community becomes tangible and Miku becomes an allegory of the commodified female body as governed by corporate regulation and normative social behavior.
Following an idea initiated and conceptualized by artist Mari Matsutoya, Still Be Here is collectively created with music producer Laurel Halo, award-winning choreographer and visual artist Darren Johnston, virtual artist LaTurbo Avedon, and produced by digital artist Martin Sulzer.

Commissioned and produced by CTM Festival and transmediale, in collaboration with Donaufestival, the Barbican and Metal.

This work features adaptations of Hatsune Miku © Crypton Future Media, Inc. www.piapro.net. Hatsune Miku is licensed under a Creative Commons BY-NC.

This is a non-profit event, organized independently from Crypton Future Media.