In the choreographic installation Schème II, the viewer moves into a stark, open space, the site of the performance dealing with the encounter between the body and the new media. The fruit of a rigorous process, Schème 11 sets the body into real and virtual situations, projecting it into multi-dimensional spaces. By moving her head, she controls the projection of images representing a schematic version of the stage space. The space - as a reflection of the body’s actions and interiority - is dislocated like the body itself. The projection of images of its past actions question our perception of reality, space and time.