The concept behind the 700 paintings in Jim Avignon's Frankfort exhibition are turned here into a series of games. The 8 games (each for two players) are presented around a stage with a showmaster. With every point scored, the sho- wmaster removes a piece of his clothing. By the end, he stands there as naked as Adam (or Jim's creation).
The set-up, decorations and the melodies of Avignon's or­ gan music recall the computer-games of the 80s.