Polish Social Sculpture
Polish Social Sculpture
1. Does (a) creation need (a) form?
2. What is not form?
3. What is the complete disappearance of form?
4. The counterpart of form is language.
5. Language is a requisite of form.
6. Language adapts to form or negates it.
7. One form defines the other.
8. Language is form.
9. "I" is language and more besides.
10. Intention is without form.
11. To what extent can you feel your own body?
12. My body is information with which I identify myself.
13. There are no external impulses.
14. A system provides security.
15. I believe in information.
16. Information is a transformation factor.
17. Information is a link.
18. Information is authorization for activity.
19. Identification opens up the form.
20. Identification connects us with the worldly body.
21. The egoism of an artist is limited to the form of a work, has nothing to do with openness.
22. Openness is a condition of knowledge.
23. The space of art is my body.
24. The body needs mental and physical space.
25. The evolution of the body is irrevocable.
26. All social phenomena are rooted in our attitude to our own bodies.
27. The body is active.
28. No correct form exists or will ever exist.
29. God, like everything else, is information requiring transformation.
30. Every open work possesses continuity.
31. The work that interests me tends toward self-dissolution and the deployment of the advantages of pure information.
32. No true, objective meaning of a work exists.
33. Art has a reality complex.
34. Reality is omnipresent.
35. Body-consciousness is (THE) artistic matter.
36. Occupation with art is a social activity.
37. Art is a bodily function.
38. Censorship is directed against the body.
39. "I" is responsible for reality.
40. No artist is in the right.
41. Every artist is in the right.
42. The duration of right and wrong is no more than a moment.
43. There is no body, lips, nose.
44. Form is emptiness, and emptiness is form.