Warping our knowledge of reality, these contributions act as reality-benders, rendering our everyday reference and sense of reality odd and questionable. They operate with the categories of the logic of fact and the logic of fiction as with two extremes on the same line of experience and thought that can be blurred: Einar Thorsteinn's experimental object involving the public's perception and imagination; SilentCell Network's interventions into institutional frameworks; Janez Jansa's name changing as a personal act; Olga Kisseleva's insertions of the immateriality of information into architecture’s concreteness, or follow the self-organised civil initiatives and their strategies of survival (Lisa Parks).