In unserem Online-Archiv findest du Materialien aus mehr als 30 Jahren transmediale. Durchsuche 12.000 Kunstwerke, Veranstaltungen, ehemalige Teilnehmer*innen und Kurator*innen sowie Texte, um unsere Festivalgeschichte zu erkunden.
In between two performances, the work Ceremonial Chamber will be presented as an installation at the Haus der Kulturen der Welt in the Café Global area.
Parts of the exhibition An Ecosystem of Excess will be presented at Haus der Kulturen der Welt, opposite of the entrance of the studio gallery.
Circe's New Equipment is a kinetic sculpture, an assemblage of paraphernalia from unwanted surplus and computer hardware elements from around from the local area of Berlin.
Focusing upon the material aspects of data storage and transmission devices, Molten Media examines the flux of media and matter through the interconnection between velocity and density. This research applies a deep-time perspective to a rapid-cycling throwaway media culture, projecting an alternate timescale for its material existence.
Did the future look better in the past? Today, has the future already turned into the past? Or is it perhaps that nowadays the past seems almost blissful compared to the present in which we actually live? What concepts of the future exist in times of social, economic and political crisis, in times of spreading poverty, corruption and mistrust towards democratic processes? Do visions of a better future exist at all? Or have we already caught up with our blooming future visions and dumped them in the dustbin of history?
Taiwan can be viewed as a microcosm of a world history that has led to today’s globalized reality. Schizophrenia Taiwan 2.0 focuses on the digital revolution in the work of young Taiwanese new media artists, born between the eras of color TV and smart phones in a country that manufactures 80% of the world’s electronic goods. They are fully aware of the risks and the potential of globalization and cybernetics, and their artworks embody in depth research on the relationships between humans and machines. www.schizotaiwan.net
Sylvie Earle, explorer and oceanographer, says Earth is a misnomer and the planet should be called the Ocean. Oceans are the life support system of the planet as well as its salty wombs. The ancient ocean, the primordial soup, gave birth to the very first organic molecules and was brimming with prehistoric living organisms. That was four billion years ago. Today the composition of oceans is undergoing a dramatic change where synthetic molecules are taking over.
For this year's cooperation programme, CTM and transmediale present three special audiovisual performances in the HKW auditorium. Despite a diversity of approaches, the works performed by Lucky Dragons, Dinos Chapman, and Robert Henke all display a post-digital sensitivity to inter-media performance, which speaks to both CTM’s Dis Continuity and transmediale’s afterglow themes.
Sind Sie beruflich in der Kreativ- und Kulturindustrie involviert, besteht eventuell die Berechtigung zur Akkreditierung zur transmediale 2015 und zum CTM.15. Bewerbungen können bis Mitte Januar 2015 eingereicht werden.
In Kooperation mit unserem Partnerfestival CTM – Festival for Adventurous Music and Art gibt es verschiedene Festivalpässe zur Auswahl. (Tickets zu den einzelnen Veranstaltungen werden im Januar verkauft.)
The festival for technology-based art is soon coming to Berlin! So far the festival has only been held in Russia and will now be outside St. Petersburg for the first time. It will be happening in Berlin from the 13th till the 17th of November in the WYE. reSource transmediale will also be giving its contribution to the programme during these five days of CYBERFEST.
How do we find conscious ways of being active, both in the digital and the physical sphere, without just becoming part of a system of data overflow? From 12-14 September 2013, we discussed this at the reSource 006: Overflow event at Kunstraum Kreuzberg/Bethanien. (Video by Lemon Face Films, Pedro Deltell)
On the 5th of November the Urban Knights is taking place in Berlin for the third time this autumn. The event starts at 7 pm in the Betahaus at Prinzessinenstrasse. A reSource project presentation takes place there at this time.
Mit dem Vilém Flusser Residency Programme for Artistic Research suchen das vilém_flusser_archive der Universität der Künste (UDK) und die transmediale künstlerische Forschungsprojekte, die aktiv die Möglichkeiten und Grenzen von transdisziplinären und transmedialen Situationen in unserer zeitgenössischen Gesellschaft untersuchen. | Submission Deadline: 1st December 2013
CRITICAL INFRASTRUCTURE ist eine künstlerische Forschungs- und Produktions-Residency, die sich mit den Ressourcen und Reserven von Materialien, Energien, Signalen und Daten hinter allem beschäftigt, was uns umgibt. Das Projekt besteht aus Workshops und Veranstaltungen bis hin zur Installation eines Kunstwerks auf dem Festival – eine Zusammenarbeit der Künstler-Technologen Jamie Allen und David Gauthier. CRITICAL INFRASTRUCTURE gräbt als „Medienarchäologie der Gegenwart“ untermauernde Medientechniken aus und...
Das reSource Netzwerk beschäftigt sich mit den Themen Neue Medien und Technologie in Berlin. Dafür werden für Interessierte zwei Möglichkeiten angeboten: regelmäßige Treffen und Diskussionsrunden sowie eine Mailing-Liste.
The 5th International Conference on the Histories of Media Art, Science and Technology – RENEW, is hosted by RIXC Centre for New Media Culture in Riga in partnership with the Art Academy of Latvia, Stockholm School of Economics in Riga and Danube University’s Center for Image Science.
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